Since Foster had a Master of Fine Arts in Film from UCLA, and since he had already written three original titles, his editor asked him to take a shot at doing the novelization. The first novelization he wrote was for Luana, “basically a female Tarzan movie,” from Italy, made in 1968.
Alan dean foster books list movie#
Like many novelization writers, Foster is also an accomplished original fiction author, which is how he ended up falling into the movie tie-in game to begin with. Today, tie-ins are mainly reserved for science-fiction and fantasy films––tent poles that translate easily into other media and come with built-in audience interest. The 80s and 90s brought their fair share of tie-ins too, including everything from Howard the Duck, to Ferris Bueller’s Day Off to Batman & Robin. By the late 1970s, studios were reaping the benefits of global franchises, including Star Wars and Aiien, both of which had novelizations that sold millions of copies. As the film industry continued to grow, publishers began producing more of these properties.
Alan dean foster books list tv#
According to Films into Books: An Analytical Bibliography of Film, Novelizations, Movie and TV Tie-Ins one of the first mainstream talkies to get the book treatment was the 1933 classic King Kong. The novelization itself has a surprisingly long history, having popped up almost 100 years ago with silent films like Sparrows and London After Midnight. But Hollywood hasn’t dropped them completely. As studios have made bigger bets on a smaller number of films, the quantity of novelizations produced annually has decreased. (Apparently, she did not remember purchasing the novelization of Home Alone by Todd Strasser for me when I was a kid.) Not every novelization is a hit like Godzilla, of course, nor is it a growing part of the book industry. To quote my mother during a recent phone conversation we had on the subject, “People buy these books?” Yes, Mom, they do. If you are unfamiliar with the world of novelizations, your immediate reaction to their existence is likely one of incredulity. Martin’s A Song of Fire and Ice series, sat a book adaptation of the blockbuster film Godzilla, written by Greg Cox.Ĭox’s book is what’s known in the business as a movie “novelization.” The term means exactly what you think it does: it’s a novel based on a film, one fleshed out with a greater attention to character backstory and more descriptive action sequences. After Inferno by Dan Brown and several books in George R.R. NASA Sending Addicts to Mars! Giant Government Coverup Revealed! ( 1994)Ī Fatal Exception Has Occurred At.This past June, The New York Times Best Seller List for mass-market paperbacks featured an outlier among its usual list of suspects. Some Notes Concerning a Green Box ( 1970) Genres: Science Fiction, Fantasy, Young Adult Fantasy, Horror, Western He is presently at work on several new novels and media projects. He has rappelled into New Mexico's fabled Lechugilla Cave, panfried piranha (lots of bones, tastes a lot like trout) in Peru, white-water rafted the length of the Zambezi's Batoka Gorge, and driven solo the length and breadth of Namibia.įoster and his wife, JoAnn Oxley, reside in Prescott, Arizona, in a house built of brick that was salvaged from a turn-of-the-century miners' brothel. He's lived in Tahiti and French Polynesia, traveled to Europe, Asia, and throughout the Pacific, and has explored the back roads of Tanzania and Kenya. His novel Cyber Way won the Southwest Book Award for Fiction in 1990, the first science fiction work ever to do so.įoster's love of the far-away and exotic has led him to travel extensively. He is also the author of numerous nonfiction articles on film, science, and scuba diving, as well as novelizations of several films, including Star Wars, the first three Alien films, and Alien Nation. Alan Dean Foster has written in a variety of genres, including hard science fiction, fantasy, horror, detective, western, historical, and contemporary fiction.
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